Charles Dickens, Tatjana Hauptmann (Ill.)
Patricia Highsmith, Paul Ingendaay (Hg.)
Tomi Ungerer, Tomi Ungerer (Ill.)
Donna Leon
Donna Leon
Donna Leon
Tomi Ungerer, Tomi Ungerer (Ill.)
Patricia Highsmith, Paul Ingendaay (Hg.)
Donna Leon
Erich Hackl
Hugo Loetscher
Tomi Ungerer, Daniel Kampa (Hg.), Tomi Ungerer (Ill.)
Donna Leon
Astrid Rosenfeld
Tatjana Hauptmann, Tatjana Hauptmann (Ill.)
Liaty Pisani
Friedrich Dürrenmatt
Lukas Hartmann, Tatjana Hauptmann, Tatjana Hauptmann (Ill.)
Doris Dörrie
Martin Suter
Martin Suter
Erich Hackl
Slawomir Mrozek
Slawomir Mrozek
Petros Markaris
Lukas Hartmann
Woody Allen, Marshall Brickman
Erich Hackl
Peter Urban (Hg.)
Petros Markaris
Claus-Ulrich Bielefeld, Bielefeld & Hartlieb, Petra Hartlieb
Erich Hackl
Friedrich Dürrenmatt
Andrzej Szczypiorski
Friedrich Dürrenmatt became one of the most celebrated and critically acclaimed playwrights of the second half of the twentieth century. But from our perspective today, we can see that Dürrenmatt's career from start to finish embraced fictional works whose quality and significance are undeniable. His novellas and short stories are searing, tragicomic explorations of the ironies of justice and the corruptibility of institutions. The best known and most successful of them are ›The Judge and His Hangman‹, ›The Quarry‹, ›The Pledge‹, ›Greek Man Seeks Greek Wife‹, ›Justice‹, ›The Tunnel‹, ›Traps‹, ›The Minotaur‹ and ›The Assignment‹.