Charles Dickens, Tatjana Hauptmann (Ill.)
Patricia Highsmith, Paul Ingendaay (Hg.)
Tomi Ungerer, Tomi Ungerer (Ill.)
Donna Leon
Donna Leon
Donna Leon
Tomi Ungerer, Tomi Ungerer (Ill.)
Patricia Highsmith, Paul Ingendaay (Hg.)
Donna Leon
Erich Hackl
Hugo Loetscher
Tomi Ungerer, Daniel Kampa (Hg.), Tomi Ungerer (Ill.)
Donna Leon
Astrid Rosenfeld
Tatjana Hauptmann, Tatjana Hauptmann (Ill.)
Liaty Pisani
Friedrich Dürrenmatt
Lukas Hartmann, Tatjana Hauptmann, Tatjana Hauptmann (Ill.)
Doris Dörrie
Martin Suter
Martin Suter
Erich Hackl
Slawomir Mrozek
Slawomir Mrozek
Petros Markaris
Lukas Hartmann
Woody Allen, Marshall Brickman
Erich Hackl
Peter Urban (Hg.)
Petros Markaris
Claus-Ulrich Bielefeld, Bielefeld & Hartlieb, Petra Hartlieb
Erich Hackl
Friedrich Dürrenmatt
Andrzej Szczypiorski
The gripping story of a young gypsy girl born in the year the Nazis came to power in Germany. Adopted by a loving working-class family, Sidonia grows up as a nurtured and protected child in a small, impoverished Austrian town. The times are turbulent and saturated with fear and violence. Everything foreign is perceived as dangerous, and general insecurity turns into hatred. Sidonia looks different than the other children in town, she cannot hide her heritage. As the Nazis gain influence and power, danger mounts for her and her socialist foster parents. They are exposed to increasing pressure until ultimately their very lives are threatened and Sidonia's fate lies in the hands of the townspeople. As a mercilessly sober chronicler of facts, Hackl presents us with historical events that were long suppresssed. Yet beyond the actual individual case the clear intensity of his language evokes the fate of all those who are persecuted for their ethnic origin, political beliefs, or religious background. In the end, no reader can escape the haunting question who has to bear responsibility for injustice that was committed and that still is committed today.
»Erich Hackl is one of the great hopes of German-language literature... ›Farewell Sidonia‹ is a masterpiece.«Frankfurter Allgemeine Zeitung