Charles Dickens, Tatjana Hauptmann (Ill.)
Patricia Highsmith, Paul Ingendaay (Hg.)
Tomi Ungerer, Tomi Ungerer (Ill.)
Donna Leon
Donna Leon
Donna Leon
Tomi Ungerer, Tomi Ungerer (Ill.)
Patricia Highsmith, Paul Ingendaay (Hg.)
Donna Leon
Erich Hackl
Hugo Loetscher
Tomi Ungerer, Daniel Kampa (Hg.), Tomi Ungerer (Ill.)
Donna Leon
Astrid Rosenfeld
Tatjana Hauptmann, Tatjana Hauptmann (Ill.)
Liaty Pisani
Friedrich Dürrenmatt
Lukas Hartmann, Tatjana Hauptmann, Tatjana Hauptmann (Ill.)
Doris Dörrie
Martin Suter
Martin Suter
Erich Hackl
Slawomir Mrozek
Slawomir Mrozek
Petros Markaris
Lukas Hartmann
Woody Allen, Marshall Brickman
Erich Hackl
Peter Urban (Hg.)
Petros Markaris
Claus-Ulrich Bielefeld, Bielefeld & Hartlieb, Petra Hartlieb
Erich Hackl
Friedrich Dürrenmatt
Andrzej Szczypiorski
A Swiss banker is found dead and his son disappears the next day. Ogden, who has just retired from the secret service, is engaged in the role of a private detective to find the twenty-year-old Willy. But the affair is not as private as it seems at first glance. Willy knows something that cost his father his life – something to do with the whereabouts of Jewish wealth in the nineteen-forties. Willy’s father showed him documents which alarm not only the banks but also a number of foreign secret services. These fifty-year-old stories are by no means forgotten, and the missing money is now in the hands of important state-leading institutions. Ogden is once again in his familiar metier. The search for Willy takes him from Zurich to the South of France where Willy, following his intuition, fled to the land of the Cathars. These heretics were fought in the Middle Ages – as were the Jews even at that time – and unnihilated in the Albigensian Crusade. Topical issues get mixed up with history, private matters mingle with political affairs, and national and temporal borders merge. Liaty Pisani approaches the theme of genocide with great sensitivity while at the same time developing an exciting plot with an almost Spielberg-like finale.
»The Italian writer Liaty Pisani effectively does away with two prejudices at one go: the notions that spy stories are a male domain, and that good material ran out with the end of the Cold War. There’s no doubt about it, we want to read more about Ogden, the likeable brooder, to whom morals are more important than missions.«Brigitte, Hamburg